Journal, KAHRUS

From the
(Journal)

Terracotta plinth supporting a live-edge walnut top beside a hammered brass column, in a plaster gallery.

On the casting of brass

Why the house lays every rod by hand, and why no two panels will ever repeat.

Flat design elevation of a cabinet in orange with a yellow circular motif and thin legs.

The line before the object

Every piece is settled as a flat elevation long before a material is chosen.

Hand-adzed oak base carrying a hammered brass disc top, on travertine.

Why a house keeps no catalogue

There is no accessible production line beneath the collector tier. There was never going to be.

Commission a piece

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